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"Stormy Monday Blues" is a jazz song first recorded in 1942 by Earl Hines and His Orchestra with Billy Eckstine on vocals. The song was a hit, reaching number one in Billboard magazine's " Harlem Hit Parade ", [ 1 ] and was Hines' only appearance in the charts.
"Call It Stormy Monday (But Tuesday Is Just as Bad)" (commonly referred to as "Stormy Monday") is a song written and recorded by American blues electric guitar pioneer T-Bone Walker. It is a slow twelve-bar blues performed in the West Coast blues -style that features Walker's smooth, plaintive vocal and distinctive guitar work.
Bland also recorded a hit version of T-Bone Walker's "Call It Stormy Monday (But Tuesday Is Just as Bad)", which was erroneously given the title of a different song, "Stormy Monday Blues". [ 3 ] His last record to reach number 1 on the R&B chart was " That's the Way Love Is ", in 1963, [ 21 ] but he continued to produce a consistent run of R&B ...
His solo on "Stormy Monday" on Bland's album Here's The Man is still considered by many guitarists [who?] to be a classic, drawing both from T-Bone Walker and jazz influences. Another standout solo on Bland's "Wishing Well" displays a compelling virtuosity in the blues idiom that would become a model for young guitarists in England such as Eric ...
AllMusic reviewer Steve Leggett stated: "The high level of creativity in play here isn't obvious on a cursory listen, since a lot of the tracks favor the same sort of midtempo blues shuffle, but a closer listen reveals a stunning guitarist who plays the blues with a jazzman's soul, and while Walker isn't a flashy singer, he gets the job done with enough conviction that you can feel the country ...
[26] Thom Doucette takes a solo on blues harp, and by the end of the song, the band breaks out of the shuffle and "builds up to a dual-lead guitar, triplet-based crescendo." [26] "Stormy Monday" echoes the band's blues roots, and many guitar parts come from the version cut by Bobby "Blue" Bland in the early 1960s. [28]
A solo on a third song, "Stormy Monday", was edited out of the original album release but restored in some later editions. [2]) Duane Allman tried to convince Doucette to formally join the group, but Doucette declined. [2] As Gregg Allman recalled of Doucette in his memoir, "I don't think he wanted the responsibility. I don't think he wanted to ...
Roger Dean – Guitar on "Blues City Shakedown" Eric Clapton – Lead guitar on "Stormy Monday" Peter Green – Lead guitar on tracks 4 to 8, 10, and steel guitar on "Picture on the Wall" Mick Taylor – Lead guitar on "Suspicions (Part Two)" John McVie – Bass guitar on tracks 1, 2, and 4 to 8. Jack Bruce – Bass guitar on "Stormy Monday"