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"St. James Infirmary" on tenor sax "St. James Infirmary" is an American blues and jazz standard that emerged, like many others, from folk traditions. Louis Armstrong brought the song to lasting fame through his 1928 recording, on which Don Redman is named as composer; later releases credit "Joe Primrose", a pseudonym used by musician manager, music promoter and publisher Irving Mills. [1]
"St. James Infirmary Blues" is an American blues song and jazz standard of uncertain origin. Louis Armstrong made the song famous in his 1928 recording on which Don Redman was credited as composer; later releases gave the name Joe Primrose, a pseudonym of Irving Mills.
Joe Cocker signalled Cocker's change of direction into a more jazzy, blues style. The album reached no. 30 in the US album charts. However, although it received a positive response from the press, it made no impression on the British and European charts. It is an unusual LP among Joe Cocker albums, in that he wrote the lyrics to six songs.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The Virgin Encyclopedia of the Blues [2] ... "St. James Infirmary" Joe Primrose, Traditional: 4:50: 11. "I Won't Be Your Fool" Coleman: 4:27: 12. "Christmas Blues ...
"St. James Infirmary Blues" recorded by numerous musicians "Saint Of New Orleans" by PJ Parks "St. Patricks Day In New Orleans" by Alias Ron Kavana "St. Phillips St. Breakdown" by George Lewis "The Saints are Coming" by U2 and Green Day, 2006 (#2 on UK Singles Chart) "Saturday Night Fish Fry" by Louis Jordan "Save my Soul" by Big Bad Voodoo Daddy
McTell in 1940 "Blind Willie McTell" is a song written and performed by American singer-songwriter Bob Dylan.Named for the blues singer of the same name, the song was recorded in the spring of 1983, during the sessions for Dylan's album Infidels; however, it was ultimately left off the album and did not receive an official release until 1991, when it appeared on The Bootleg Series Volumes 1 ...
The group evolved into an experimental musical theatre group, performing songs from the 1930s-40s and original material. [1] [2] In 1979, Danny Elfman wished to pursue a new direction as a dedicated rock band and the group reformed as Oingo Boingo. Several Mystic Knights band members continued with the new band including Steve Bartek, Leon ...