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It occupies a cellar in Praça da Alegria (Square of Joy) in Lisbon. With an almost daily concert programme [1] , the Hot Club of Portugal is an acclaimed cultural entity in Portugal and abroad. Since the early 1980s, it has also run a jazz school where many Portuguese jazz musicians have learned their skills.
Rádio e Televisão de Portugal. Antena 1 (news, light music); Antena 2 (jazz, classical music, culture); Antena 3 (alternative music, promotion of portuguese bands); Grupo Renascença
Underground Sound of Lisbon (sometimes shortened to USL) is a collaboration between Portuguese house music producers Rui da Silva (then known as Doctor J) and DJ Vibe (real name Tó Pereira), who were active between 1993 and 2001.
The term side-slipping or side-stepping has been used to describe several similar yet distinct methods of playing outside. In one version, one plays only the five "'wrong'" non-scale notes for the given chord and none of the seven scale or three to four chord tones, given that there are twelve notes in the equal tempered scale and heptatonic scales are generally used. [3]
Parigi-Lisbona is a live album by Italian jazz fusion band Area, released in 1996 and recorded in 1976 in Paris and Lisbon, while the band was supporting their third album Crac!. [1] In the Paris section of the album, Demetrio Stratos announces the songs in French and sings "La Mela di Odessa" as "La Pomme de Odessa".
Boiler Room is an online music broadcaster and club promoter based in London, United Kingdom. It hosts predominantly dance music events, focusing on underground genres, in locations internationally, and broadcasts the shows live over the internet.
The first Cascais Jazz Festival took place on November 20, 1971, in the Dramático de Cascais pavilion in Portugal, organized by the fado singer João Braga and the jazz critic and specialist Luís Villas-Boas.
James Reese Europe's military concerts in France in World War I in 1919 are claimed to have introduced Europeans to a new, "syncopated" music from America. Yet, Italians had an even earlier taste of a new music from across the Atlantic when a group of "Creole" singers and dancers, billed as the "creators of the cakewalk" performed at the Eden Theater in Milan in 1904.