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Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
Jesus came to be called "Jesus Christ" (meaning "Jesus the Khristós", i.e. "Jesus the Messiah" or "Jesus the Anointed") by Christians, who believe that his crucifixion and resurrection fulfill the messianic prophecies of the Old Testament, especially the prophecies outlined in Isaiah 53 and Psalm 22.
In Eastern Christianity, the most widely used Christogram is a four-letter abbreviation, ΙϹ ΧϹ—a traditional abbreviation of the Greek words for 'Jesus Christ' (i.e., the first and last letters of each of the words ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ, with the lunate sigma 'Ϲ' common in medieval Greek), [23] and written with titlo (diacritic ...
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine ...
The Chi Rho is formed by superimposing the first two (capital) letters chi and rho (ΧΡ) of the Greek word "ΧΡΙΣΤΟΣ", meaning Christ, in such a way to produce the monogram. Widespread in ancient Christianity, it was the symbol used by the Roman emperor Constantine I as vexillum (named Labarum).
In Byzantine and Orthodox images, inside each of the bars of the cross in Christ's halo is one of the Greek letters Ο Ω Ν, making up ὁ ὢν —"ho ōn", literally, "the Existing One"—indicating the divinity of Jesus. [30]
Mary now lies recovering on a large stuffed cushion or couch ("kline" in Greek) beside the infant, who is on a raised structure, [16] whilst Joseph rests his head on his hand. [17] He is often part of a separate scene in the foreground, where Jesus is being bathed by midwives (Jesus is therefore shown twice).