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The painting depicts the biblical event in which Jesus calmed the storm on the Sea of Galilee, as is described in the fourth chapter of the Gospel of Mark. [1] It is Rembrandt's only seascape. [2] Storm op het Meer van Galilea Leven van Christus, print by Adriaen Collaert after a design by Maerten de Vos
A young boy, who would later be known as John the Baptist, brings in water to wash the wound, prefiguring his later baptism of Christ. An assistant of Joseph, who represents Jesus's future Apostles, observes these events. In the background of the painting various objects are used to further symbolize the theological significance of the subject.
D. Dead Christ (Palmezzano) The Dead Christ Adored by Saint Jerome and Saint Dorothy; The Dead Christ Supported by the Virgin and Saint John; Dead Christ Supported by Two Angels (Bellini, Berlin)
The Storm on the Sea of Galilee by Rembrandt, 1632. Calming the storm is one of the miracles of Jesus in the Gospels, reported in Matthew 8:23–27, Mark 4:35–41, and Luke 8:22–25 (the Synoptic Gospels). This episode is distinct from Jesus' walk on water, which also involves a boat on the lake and appears later in the narrative.
Christ Asleep during the Tempest is an oil on canvas painting by the French Romantic artist Eugène Delacroix, executed c. 1853. [1] The painting is now in the Metropolitan Museum of Art in New York City. [2] [3] Delacroix painted at least six versions of the biblical story of Christ sleeping during a storm while on the Sea of Galilee.
Christ on the Cross with the Virgin and Saint John; Christ the Redeemer with Four Saints; Conegliano Altarpiece; Croce al Tempio Lamentation; Crucifix (Cimabue, Arezzo) Crucifix (Cimabue, Santa Croce) Crucifixion (Titian) Crucifixion (Bramantino) Crucifixion Triptych; Crucifixion with Mourners and St Dominic; Crucifixion with the Virgin and St John
Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well. The picture depicts the Baptism of Jesus by John the Baptist as recorded in the Biblical Gospels of Matthew, Mark and Luke. The angel to the left is recorded as having been painted by the youthful Leonardo, a fact which has excited so much ...
Christ of Saint John of the Cross has continued to generate controversy. At the time of its purchase by Honeyman, the verdict by modern art critics was that producing such a traditional painting was a stunt by an artist already famous for his surrealist art. [6] The picture was voted Scotland's favourite painting in 2006, with 29% of the vote. [11]
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