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You can't: Etching and aquatint 21.3 x 15.2 The Sleep of Reason Produces Monsters: Etching and aquatint 21.3 x 15.1 They spin finely: Etching, aquatint, drypoint and engraving 21.5 x 15.1 There is plenty to suck: Etching and aquatint 20.4 x 14.9 Correction: Etching and aquatint 21.3 x 14.8 A gift for the master: Etching, aquatint and engraving ...
The first floor displays 22 prints from Los disparates series, 40 prints from La Tauromaquia and 82 prints from The Disasters of War, while the second floor displays 80 engravings from Los caprichos. The collection was created thanks to several donations of works from renowned artists bought after they were auctioned.
Los Caprichos lack an organized and coherent structure, but they have important thematic nuclei. The most prevalent themes are: the superstition around witches, which predominates after Capricho No. 43 and that serves to express ideas about evil in a tragicomic way; the life and behavior of friars; erotic satire relating to prostitution and the role of the matchmaker; and to a lesser extent ...
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He made connections between the Black Paintings and other works by Goya (e.g. The Second of May 1808), and pointed to various documentary evidence, including an 1812 inventory of the artist's possessions catalogued by Goya's son, Javier, which included the work. Today, Museo del Prado recognise the Black Paintings as authentic. [22] [23] [24]
In this painting Goya depicts himself in a bullfighter's suit. La Tauromaquia (Bullfighting) is a series of 33 prints created by the Spanish painter and printmaker Francisco Goya, which was published in 1816. The works of the series depict bullfighting scenes. There are also seven extra prints that were not published in the original edition.
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The Prisoners is a series of three etchings by Francisco de Goya, depicting imprisoned men with indistinct faces, bound with leg irons in stress positions. The prints are not dated, but they are believed to have been made between 1810 and 1815, around the time Goya started his print series The Disasters of War. Political considerations made it ...