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A drum roll (or roll for short) is a technique used by percussionists to produce a sustained sound for the duration of a written note. [2]All drum figures are based upon three fundamental beats, technically called roll, single stroke, and flam...Sustentation is accomplished upon wind instruments by blowing into the instrument; it is accomplished upon the violin and the allied instruments by ...
Haydn's music was well known in England well before the composer traveled there, and members of the British musical public had long expressed the wish that Haydn would visit. The composer's reception in England was in fact very enthusiastic, and the English visits were one of the most fruitful and happy periods of the composer's life.
Oxford spelling (also Oxford English Dictionary spelling, Oxford style, or Oxford English spelling) is a spelling standard, named after its use by the Oxford University Press, that prescribes the use of British spelling in combination with the suffix -ize in words like realize and organization instead of -ise endings.
It is recommended that once a rudiment is learned, as far as the technical sticking and accents, that it be practiced regularly with the open, closed, open technique as well as at a moderate march tempo to ensure that a drummer or percussionist is able to play the rudiment accurately at any speed necessary for performance of musical repertoire. [4]
The Oxford English Dictionary states that the word is a redoubling of boogie, which was used for rent parties as early as 1913. [4] The term may be derived from Black West African English, from the Sierra Leone term "bogi", which means "to dance"; as well, it may be akin to the phrase "hausa buga", which means "to beat drums".
It feels like play.” The long-term plan for Drumboxing is to make it a “brain hub,” Hinds says, where visitors can take EEGs of their brainsbefore and after classes and attend workshops led ...
Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay.
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