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More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Voice classification is a tool for singers, composers, venues, and listeners to categorize vocal properties and to associate roles with voices. While useful, voice classification systems have been used too rigidly, i.e. a house assigning a singer to a specific type and only casting him or her in roles they consider belonging to this category. [3]
In music, the range, or chromatic range, of a musical instrument is the distance from the lowest to the highest pitch it can play. For a singing voice , the equivalent is vocal range . The range of a musical part is the distance between its lowest and highest note .
The smallest pitch difference between notes (in most Western music) (e.g. F–F#). Jazz, blues, and various non-Western musics use quarter tones, a smaller subdivision of pitch. session musician, session player, or session man. In jazz and popular music, this refers to a highly skilled, experienced musician who can be hired for recording sessions.
A soprano (Italian pronunciation: [soˈpraːno]) is a type of classical singing voice and it has the highest vocal range of all voice types.The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C 4) = 261 Hz to "high A" (A 5) = 880 Hz in choral music, or to "soprano C" (C 6, two octaves above middle C) = 1046 Hz or higher in operatic music.
The highest voice is the first voice or voice 1. The second-highest voice is voice 2, etc. This nomenclature doesn't provide a term for more than one voice on the same pitch. A dropped voicing lowers one or more voices by an octave relative to the default state. Dropping the first voice is undefined—a drop-1 voicing would still have all ...
Some men, in falsetto voice or as a result of certain rare physiological conditions, can sing in the same range as women. These do not fall into the female categories and are instead called countertenors within classical music. Within contemporary music, however, the use of the term tenor for these male voices would be more appropriate. [8]