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The first Romanian hip hop group was Vorbire Directă (Direct Speech) founded in late 1992, their first song being released in 1993 on UniPlus Radio. However, the first hip hop album was released only in 1995 by R.A.C.L.A. and was called Rap-Sodia efectului defectului ( Defect Effect Rap-sody ).
The group released the first Romanian hip hop album, Rap-Sodia Efectului Defectului (A Rap-sody for the Shortcoming's Consequence), in 1995 on Kromm Studio, an independent record label and quickly became one of first and most critically acclaimed hip hop acts in Romania. Following Clonatu's departure from the group in 1998, the group went ...
The success prompted the making of a music video, which was the first Romanian hip hop video ever made. [ 21 ] B.U.G. Mafia continued to work throughout 1999 and, after the impressive success one of their concerts in Bucharest had, they were invited by TV host Mihai Tatulici to talk about their work and history in a special edition of his talk ...
La Familia are a Romanian hip hop group from Sălăjan, Bucharest.Founded in 1997 by Dragoș "Puya" Gărdescu and Tudor Sișu, they have been widely regarded as pioneers of the gangsta rap subgenre in their native Romania.
The music video for the song was released on October 3, 2011, on MTV and was later uploaded online on YouTube. [ 57 ] [ 58 ] The video was made by rapper Spike and his team (Evil Twin Studio) in the spring of 2011, in a nightclub in Bucharest , where over a hundred fans gathered to participate in the filming. [ 59 ]
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Since the 1970s, songs and albums released by Romanian [A] artists have charted and received certifications in the world's largest music markets. [B] The first Romanian artist to chart in such markets was the nai player Gheorghe Zamfir.
The Romanian hip hop community has also extensively covered this album in their online debates on Internet forums, such as Hades Records or Hiphopkulture. [10] The reception amongst fans has also been generally positive, emphasizing on the album's jazzy production and socio-political lyrical themes.