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Carmine Luigi Ferraro, La "novela de la tierra" de Giovanni Verga y "Paz en la guerra" de Miguel de Unamuno, [in:] Revista de literatura 70/140 (2008), pp. 533-551 Thomas R. Franz, "La Madre Naturaleza" y "Paz en la guerra": el intertexto perdido , [in:] Cuadernos de la Cátedra Miguel de Unamuno 34 (1999), pp. 29-40
Miguel de Unamuno y Jugo (/ uː n ə ˈ m uː n oʊ /; Spanish: [miˈɣ̞el ð̞e̞ unaˈmuno i ˈxuɣ̞o]; 29 September 1864 – 31 December 1936) was a Spanish essayist, novelist, poet, playwright, philosopher, professor of Greek and Classics, and later rector at the University of Salamanca.
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Abel Sánchez: A Story of Passion (Spanish: Abel Sánchez: Una historia de pasión) is a 1917 novel by Miguel de Unamuno. Abel Sanchez is a re-telling of the story of Cain and Abel set in modern times, which uses the parable to explore themes of envy .
San Manuel Bueno, mártir (1931) is a short novel by Miguel de Unamuno (1864–1936). It experiments with changes of narrator as well as minimalism of action and of description, and as such has been described as a nivola, a literary genre invented by Unamuno to describe his work.
También de una novela, como de una epopeya o de un drama, se hace un plano; pero luego la novela, la epopeya o el drama se imponen al que se cree su autor. O se le imponen los agonistas, sus supuestas criaturas. Así se impusieron Luzbel y Satanás, primero, y Adán y Eva, después, a Jehová. ¡Y ésta sí que es nivola, u opopeya o trigedia ...
A place of his own in the realm of poetry was already held by Rafael Montesinos; after the fall of Francoism he published Último cuerpo de campanas (1980), De la niebla y sus nombres (1985), Con la pena cabal de la alegría (1996), Madrugada de Dios (1998) and La vanidad de la ceniza (2005). The Tertulia Literaria Hispanoamericana he launched ...
Augusto reminds Unamuno that he might be just a character in one of God's dreams. Augusto returns to his home and dies. Whether or not he is killed by Unamuno or commits suicide is a subject of debate and is mostly down to the reader's opinion. The book ends with the author himself debating himself about bringing back the character of Augusto.