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The Outsiders is a coming-of-age novel by S. E. Hinton published in 1967 by Viking Press.The book details the conflict between two rival gangs of White Americans divided by their socioeconomic status: the working-class "Greasers" and the upper-middle-class "Socs" (pronounced / ˈ s oʊ ʃ ɪ z / SOH-shiz—short for Socials).
The Outsiders was Hinton's first published book in 1967; Hinton started the book at the age of fifteen. [1] Hinton based the characters, the Greasers and the Socs, off of teenage gangs and alienated youth in her hometown of Tulsa, Oklahoma during the 1960s. The Outsiders has sold over fourteen
The museum now contains a collection of The Outsiders memorabilia. [40] In addition to Howell, other stars of the film including Rob Lowe, Ralph Macchio, and Matt Dillon visited the site between its restoration and opening. [33] [41] For his efforts on preserving a cultural landmark, O'Connor received a key to the city of Tulsa. [42]
The Outsider is a 1956 book by English writer Colin Wilson. [1]Through the works and lives of various artists – including H. G. Wells (Mind at the End of Its Tether), Franz Kafka, Albert Camus, Jean-Paul Sartre, T. S. Eliot, Ernest Hemingway, Harley Granville-Barker (The Secret Life), Hermann Hesse, T. E. Lawrence, Vincent van Gogh, Vaslav Nijinsky, George Bernard Shaw, William Blake ...
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Ponyboy Michael "Pony" Curtis is a fictional character and the main protagonist of S. E. Hinton's 1967 novel The Outsiders. On screen, he is played by C. Thomas Howell in Francis Ford Coppola's 1983 film adaptation and by Jay R. Ferguson in the 1990 sequel TV series. Brody Grant originated the role on stage in the 2023 stage musical adaptation.
The Outsider is a novel by American author Richard Wright, first published in 1953. The Outsider is Richard Wright's second installment in a story of epic proportions, a complex master narrative to show American racism in raw and ugly terms.
Chapters three and four of Outsiders, which were originally published in the American Journal of Sociology in 1953, examine how marijuana users come to be labeled as social deviants. [16] Becker was inspired to write on the subject after reading Alfred Lindesmith's book Opium Addiction, updated and republished as Addiction and Opiates (1968). [3]