Search results
Results from the WOW.Com Content Network
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
A variety of musical scales are used in traditional Japanese music. While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is ...
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
In D mode it consists of: D-E ♭-G-A-C [1] so it has the same notes as the Phrygian chord (7sus♭9). Other chords compatible with insen scale include M7♯11 when the scale is played half steps lower (for example B in sen scale for CM7♯11 chord) and Cm6 and Cm when the scale is played one full step above (for example D insen with Cm6 or Cm ...
shuto mawashi uke (roundhouse block with knife-hand) soto uke (外受け): outside forearm block; morote sukui uke: scooping block; tate shuto uke: half knife-hand block; Te osae uke: dropping palm block; Uchi ude uke (内腕受け)/ uchi uke (内受け): inside forearm block; Gyako uchi uke: reverse outside mid-level (e.g. in the kata, Heian ...
Herb Ohta aka Ohta-san is an American Ukulele player born in 1934 in Hawaii who has recorded solo, as a group and with Andre Popp on the A&M Records label, which was co-owned by Herb Alpert and Jerry Moss. He is also known as "Ohta-san" in Japan and other Asian countries, which is a title of respect for the musician.
Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly ...
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...