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The kailao originated on the island collectivity of Wallis and Futuna, where it is still performed in public ceremonies. In Tonga it is performed at public and private ceremonies. The men, bearing stylized clubs (pate kailao), dance in a fierce manner that emulates fighting, to the accompaniment of a beaten slit drum or tin box which sets the ...
The kailao is a standing male war dance of Tonga. The kailao is performed by men (less commonly women also perform it with the men as a mixed dance), who carry clubs or fighting sticks. The performers dance in a fierce manner to emulate combat, all to the accompaniment of a slit drum or a tin box.
Kailao dance in Mata Utu in 2001. This is the most popular of the implement dances seen in Uvea and Futuna. It's a club dance performed without a song 'to the rhythm of a wooden pate (gong) or an empty kerosene tin. Two parties of male dancers approached each other from opposite sides of the mala'e (village green), usually in columns of twos ...
In post-contact Tonga, newly pubescent males were kamu (tefe), or circumcised by cutting one slit in the foreskin, on the underside of the penis.This is a Christian practice of biblical context.
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Most dances are accompanied by singing and some type of percussion instruments as dancing without drumming is considered unusual. The kailao (paddle-club dance), however, has no song and only includes percussion. [11] Wallis and Futuna dancers perform across the Oceania region at festivals. [12]
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Ma'ake Tu'amelie Kemoeatu (pronounced [maˈʔake kemoeˈatu]; born January 10, 1979) is a Tongan-American former professional American football player who played as a nose tackle.