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Bas reliefs from Bayon temple depicted houses, building, and palaces which shared similar roof design and concept with today Khmer traditional houses and palaces. [5] A double-tiered roof of Khmer wooden architecture as depicted at Bayon temple. This roofing concept is commonly seen at today roof design of Khmer pagodas.
A hip roof is another variation of the typical roof of a Khmer house; this construction requires a large amount of material and is complicated, so that it is rarely seen. The shape of the roof defines the different house types. The Khmer house is an example of indigenous materials used with a traditional design called vernacular architecture.
A double-tiered roof of Khmer wooden architecture as depicted at Bayon temple. Typical double-tiered roof used in contemporary Khmer architecture The nuclear family, in rural Cambodia, typically lives in a rectangular house that may vary in size from four by six meters to six by ten meters.
The height of the building offers protection in times of floods. New Khmer Architecture often uses these features. Other adaptations are the use of wall panels, double walls and roofs (especially the typical VVV- shaped roofs that can be found on many buildings of the style) to prevent direct sunlight.
Cross hipped: The result of joining two or more hip roof sections together, forming a T or L shape for the simplest forms, or any number of more complex shapes. Satari: A Swedish variant on the monitor roof; a double hip roof with a short vertical wall usually with small windows, popular from the 17th century on formal buildings.
During the Angkorian era, Khmer sastras were made by monks in the Khmer temples and stored in monastery libraries. Constructed from wood, these libraries were sometimes fitted with a multi-tiered roof, sitting in the middle of small ponds, to protect them from termites. The knowledge about these ancient libraries has only been inferred from the ...
Roof finial or chofah (colorized) as depicted on the bas relief of Angkor Wat temple in 12th century.. The representation of cho fah is unclear and believed to represent garuda [citation needed], however, the present research indicates that the original chofah upon which most subsequent chofah have been based is the gajashimha of Suryavarman II, [2] the Khmer king who built Angkor Wat.
During King Sihanouk's pre-Khmer Rouge reign, the Silver Pagoda was inlaid with more than 5,000 silver tiles and some of its outer facade was remodelled with Italian marble. There are also other structures surrounding the main building or the vihear. To the east is the statue of King Norodom sits on a white horse.
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