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In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music.Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the ...
Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works. Overall, Baroque music was a tool for expression and communication. [1]
The ritornello was also crucial in the development of the Italian instrumental concerto during the Baroque period. Giuseppe Torelli wrote many violin concertos in which the fast movements used a recurring ritornello in between two extended solo passages of entirely new material. [ 5 ]
A concerto (/ k ə n ˈ tʃ ɛər t oʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
The genre originated as instrumental adaptation of the three-part texture common in Italian vocal music in the late 16th century. The earliest published trio sonatas appeared in Venice (Salamone Rossi Il primo libro delle sinfonie e gagliarde, 1607) and in Milan (Giovanni Paolo Cima, Sonata a tre for violin, cornett and continuo in the collection Concerti ecclesiastici, 1610).
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression.The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the continuo group.
A continuous bass was the rule in Baroque music; its absence is worth mentioning and has a reason, such as describing fragility. The specific character of a movement is often defined by wind instruments, such as oboe , oboe da caccia , oboe d'amore , flauto traverso , recorder , trumpet , horn , trombone , and timpani .
In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style.The Venetian polychoral compositions of the late sixteenth century were among the most famous musical works in Europe, and their influence on musical practice in other countries was enormous.