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Rembrandt Laughing is a c. 1628 oil on copper painting by the Dutch painter Rembrandt van Rijn. It is an elaborate study of a laughing face, a tronie , and, since it represents the painter himself, one of over 40 self-portraits by Rembrandt , probably the earliest elaborate one.
Rembrandt and (mainly) workshop. Companion piece to 63a. The woman’s left hand, which originally hung in a lower position, and the table on which it now rests, are probably executed by Rembrandt himself Portrait of a Man Trimming his Quill: 1632: Oil on canvas: 101.5 x 81.5: Schloss Wilhelmshöhe, Kassel: 64a: Companion piece to 64b Portrait ...
Seated naked woman with a hat beside her [Woman at the bath] 1658 B200: 1: Seated naked woman [‘Woman bathing her feet at a brook’] 1658 B205: 3 ‘Negress lying down’ 1658 B282: 6: Lieven Willemsz van Coppenol, writing-master [1598 - 1671] About 1658 B283: 6: Lieven Willemsz van Coppenol, writing-master: the larger plate: About 1658 B094: 4
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the ...
Self-portrait as Zeuxis Laughing is one of over 40 painted self-portraits by Rembrandt. [1] Painted around 1662 by the Dutch artist Rembrandt , it is now in the Wallraf-Richartz-Museum in Cologne. See also
The Laughing Man: 1629: Oil paint: Mauritshuis, The Hague Bust of a laughing young man: c. 1630: Oil paint: Rijksmuseum Amsterdam: Self-portrait with Plumed Beret: 1629: Oil on panel: 89.7 x 73.5: Isabella Stewart Gardner Museum, Boston Self-portrait with Gold Chain: c. 1629–30: Oil paint: private collection Portrait of Rembrandt with a ...
Obviously, these photos have everyone wondering about Ben and Jen's vibes—and sources confirm they get along amazingly well. "They're on great terms," one source tells People . "Jen's very happy ...
Rembrandt created this painting as a pendant to the MET's portrait of a man, probably as a wedding pendant. Only a few pairs of pendant portraits by Rembrandt have survived. This pair came into the collection via the Mrs. H. O. Havemeyer bequest in 1929. This painting was documented by Hofstede de Groot in 1914, who wrote: 625.