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The bronze sculptural group topping off the monument depicts a meeting of Columbus with Queen Isabella, seated on her throne. The upper part of the pedestal serves as a staircase on which Columbus stops to bow to the queen. [4] The sculptural group was also reportedly set to include a figure of Boabdil, but the idea just fell apart. [5]
The Monument to Isabella the Catholic (Spanish: Monumento a Isabel la Católica) is an instance of public art located in Madrid, Spain. A work by Manuel Oms [ es ] , the monument is a sculptural bronze ensemble consisting of an equestrian statue of Isabella of Castile , accompanied by Pedro González de Mendoza and Gonzalo Fernández de Córdoba .
Pleurants or weepers (the English meaning of pleurants) are anonymous sculpted figures representing mourners, used to decorate elaborate tomb monuments, mostly in the late Middle Ages in Western Europe. Typically they are relatively small, and a group were placed around the sides of a raised tomb monument, perhaps interspersed with armorial ...
Their meaning can only be guessed at: modern archeologists see them as depictions intended to house the souls of the dead, intended to identify them as they travel through the realm of the dead. [2] The earliest known tomb effigy is that of Djoser (c. 2686–2613 BC), found in the worship chamber of the Pyramid of Djoser. The effigies were ...
Queen Isabella, also known as Queen Isabella (1451–1504), [1] is an outdoor sculpture of Isabella I of Castile, installed outside the Pan American Union Building of the Organization of American States at 17th Street and Constitution Avenue NW in Washington, D.C., in the United States. [2]
The Nuragic civilization in the Mediterranean island of Sardinia produced a large number of small bronze statues, known as bronzetti (Nuragic bronze statuettes), starting from the 12th century BCE. [6] The 7th-8th century Sri Lankan Sinhalese bronze statue of Buddhist Tara, now in the British Museum, is an example of Sri Lankan bronze statues.
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In archeology and art history the appearance, and sometimes disappearance, of monumental sculpture (using the size criterion) in a culture, is regarded as of great significance, though tracing the emergence is often complicated by the presumed existence of sculpture in wood and other perishable materials of which no record remains; [7] the totem pole is an example of a tradition of monumental ...