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Religious leaders would commission artists to create religious artworks for ceremonies and rituals. The artwork likely commissioned would have been a mural or a censer depicting gods like the Great Goddess of Teotihuacan or the Feathered Serpent. Censers would be lit during religious rituals to invoke the gods including rituals with human ...
The Temple of the Feathered Serpent is the third largest pyramid [1] at Teotihuacan, a pre-Columbian site in central Mexico (the term Teotihuacan, or Teotihuacano, is also used for the whole civilization and cultural complex associated with the site). This pre-Columbian city rose around the first or second century BCE and its occupation ...
Mirrors in Classic period Teotihuacan, as elsewhere in Mesoamerica, where associated with a corpus of spiritual beliefs, some of which have been passed down to the modern period. Mirrors were fashioned from three different types of stone at Teotihuacan, these were mica , obsidian and iron pyrite. [ 50 ]
Feathered Serpent head at the Ciudadela complex in Teotihuacan. The first culture to use the symbol of a feathered serpent as an important religious and political symbol was that of Teotihuacan. At temples such as the aptly named "Quetzalcoatl temple" in the Ciudadela complex, feathered serpents figure prominently and alternate with a different ...
Mural of Tlālōcān, Tepantitla, Teotihuacan culture. Tlālōcān (Nahuatl pronunciation: [t͡ɬaːˈloːkaːn̥]; "place of Tlāloc") is described in several Aztec codices as a paradise, ruled over by the rain deity Tlāloc and his consort Chalchiuhtlicue. It absorbed those who died through drowning or lightning, or as a consequence of ...
The Pyramid of the Sun is the largest building in Teotihuacan, and one of the largest in Mesoamerica.It is believed to have been constructed about 200 AD. [4] Found along the Avenue of the Dead, in between the Pyramid of the Moon and the Ciudadela, and in the shadow of the mountain Cerro Gordo, the pyramid is part of a large complex in the heart of the city.
The city of Teotihuacan, with its monumental pyramids and urban layout, featured sculptural reliefs and statues depicting gods, animals, and celestial bodies. These sculptures adorned the facades of temples and palaces, serving as expressions of Teotihuacan's cosmology and religious beliefs.
While the word religion is difficult to define, one standard model of religion used in religious studies courses defines it as [a] system of symbols which acts to establish powerful, pervasive, and long-lasting moods and motivations in men by formulating conceptions of a general order of existence and clothing these conceptions with such an aura of factuality that the moods and motivations ...