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Rich was born in Sheepshead Bay, Brooklyn, New York, to Jewish parents Bess Skolnik and Robert Rich, both American vaudevillians. [5]: 6 At 18 months old, he became part of his parents' vaudeville act, dressed in a sailor suit playing an arrangement of "The Stars and Stripes Forever" behind a large bass and snare drum - an act which concluded with him emerging from behind the drums tap-dancing ...
Roy Owen Haynes (March 13, 1925 – November 12, 2024) was an American jazz drummer. In the 1950s he was given the nickname " Snap Crackle " for his distinctive snare drum sound and musical vocabulary.
The techniques and instrumentation of this type of performance have evolved over the 1900s, influenced by jazz at large and the individual drummers within it. Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of ...
AllMusic biographer Steve Huey said, "Generally acclaimed as fusion's greatest drummer, Billy Cobham's explosive technique powered some of the genre's most important early recordings – including groundbreaking efforts by Miles Davis and the Mahavishnu Orchestra – before he became an accomplished bandleader in his own right. At his best ...
Cindy Blackman Santana (born November 18, 1959), sometimes known as Cindy Blackman, [1] is an American jazz and rock drummer. Blackman has recorded several jazz albums as a bandleader and has performed with Pharoah Sanders, Sonny Simmons, Ron Carter, Sam Rivers, Cassandra Wilson, Angela Bofill, Buckethead, Bill Laswell, Lenny Kravitz, Joe Henderson and Joss Stone.
Gadd is one of the best-known and most highly regarded session and studio drummers in the industry, recognized by his induction into the Modern Drummer Hall of Fame in 1984. [2] Gadd's performances on Paul Simon 's " 50 Ways to Leave Your Lover " (1976) and " Late in the Evening " (1980), Herbie Mann 's "Hi-jack" (1975) [ 3 ] and Steely Dan 's ...
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He originally learned to play drums in the style of the big band jazz groups in the 1940s. [5] [8] In 1958, he was Motown's first studio drummer, where he was noted for his dynamic style. Several Motown record producers, including Berry Gordy, refused to work on any recording sessions unless Benjamin was the drummer [4] and James Jamerson the ...