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CAA used its writer clients to attract actors to the agency. Ovitz and CAA were the first to package films like TV shows. Representing numerous A-list actors and having about $90 million in annual bookings in the late 1970s, Ovitz led the agency to expand into the film business.
The five agents had formed CAA in 1975 after they departed the William Morris Agency (WMA). [3] Baum accepted the offer, completing the merger of his Martin Baum Agency with CAA on October 11, 1976. [3] [2] Baum brought an extensive client list to the CAA when he joined the agency, including Peter Sellers and Sidney Poitier. [1]
ICM Partners' television and motion picture departments represented film actors, actresses, directors and writers. The departments also featured a division dedicated to production professionals such as cinematographers, editors, second unit directors, composers, production designers, costume designers and visual effects supervisors. The ...
The actor, who was named to Variety’s 10 Actors to Watch for 2020, was not previously represented in the U.S., and will now be represented by the agency in all areas. ... CAA has signed rising ...
While Hollywood’s talent agencies can’t throw generously-lit award show after parties or line their sleek conference rooms with keto-friendly snacks, some traditions must carry on during COVID-19.
CAA has signed Deal Productions, a European film and TV banner co-founded by actor-turned-filmmaker Désirée Nosbusch (“Bad Banks”) and Alexandra Hoesdorff (“High Fantasy”). Based in ...
Robinson and Venit were the first actors' agents and had a client list that included Hank Azaria, Adam Sandler, and David Spade (all of whom are now represented by WME). The Endeavor talent department grew dramatically during the next eight years, mainly with the 2001 addition of former CAA talent head, Patrick Whitesell.
Emma Holly Jones, the fast-rising British filmmaker whose debut feature Mr. Malcolm’s List was recently released by Bleecker Street in the U.S. and is being looked after by Universal ...