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Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
The text is written in the first-person singular, "Deliver me, O Lord, from eternal death on that fearful day", a dramatic substitution in which the choir speaks for the dead person. [ 2 ] In the traditional Office, Libera me is also said on All Souls' Day (2 November) and whenever all three nocturns of Matins of the Dead are recited.
The Lacrimosa (Latin for "weeping/tearful"), is part of the Dies Irae sequence in the Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. [1] Many composers, including Mozart, Berlioz, and Verdi have set the text as a discrete movement of the Requiem.
Pie Jesu" (/ ˈ p iː. eɪ ˈ j eɪ. z uː,-s uː / PEE-ay-YAY-zu; original Latin: "Pie Iesu" /ˈpi.e ˈje.su/) is a text from the final (nineteenth) couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "pious Jesus" in the vocative.
dies irae: Day of wrath: Reference to the Judgment Day in Christian eschatology. The title of a famous Medieval Latin hymn by Tommaso da Celano in the 13th century and used in the Requiem Mass. dies non juridicum: Day without judiciary: Days under common law (traditionally Sunday), during which no legal process can be served and any legal ...
The sequence employed in the Requiem, Dies irae, attributed to Thomas of Celano (c. 1200 – c. 1260–1270), has been called "the greatest of hymns", worthy of "supreme admiration". [1] The Latin text is included in the Requiem Mass in the 1962 Roman Missal. An early English version was translated by William Josiah Irons in 1849.
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[citation needed] The Evil Spirit's tormenting accusations and warnings about Gretchen's eternal damnation at the Last Judgement, as well as Gretchen's attempts to resist them, are interwoven with verses of the hymn Dies irae (from the traditional Latin text of the Requiem Mass), which is being sung in the background by the cathedral choir ...