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Frédéric Chopin's waltzes are pieces of moderate length for piano, all written between 1824 and 1849. They are all in waltz triple meter, specifically 3/4 (except Op. P1/13, which is in 3/8 time), but differ from earlier Viennese waltzes in not being intended for dancing; nonetheless, several have been used in ballets, most notably Les Sylphides.
The Waltz Op. 70, No. 1, in G-flat major was composed in 1832. [4] It is written in the "brilliant style". According to Jeffrey Kallberg, "the unpublished waltzes also capture the joyfulness and glitter of the dance hall and salon, as we can hear in the waltzes in E major, A-flat major [] (Chopin's only waltz notated in three-eighth metre), and, especially, in G-flat major, Op. 70, No 1."
Mentioned in the list of Louise Chopin. Waltz for piano in D minor, composed 1828. Given in Louise's list, with the date, and entitled (? by Louise) 'La partenza' ('The departure') Waltz for piano (supposedly) in A ♭ major, composed 1830/12 (?). Known from a letter Chopin wrote on 21 December 1830 from Vienna to his family.
Waltz in A-flat major, Op. 69, No. 1, is a waltz composed by Frédéric Chopin in 1835. It was posthumously published by his friend Julian Fontana in 1855, six years after the composer’s death, together with the earlier composed Waltz Op. 69, No. 2. [1] It is also called "The Farewell Waltz" or "Valse de l'adieu".
The Waltz in A minor (French: Valse en la mineur) is a waltz attributed to Frédéric Chopin found in the Morgan Library & Museum and announced to the public by The New York Times on 27 October 2024. [1]
Waltzes, Op. 34 (Chopin) Waltzes, Op. 70 (Chopin) This page was last edited on 1 March 2023, at 10:58 (UTC). Text is available under the Creative Commons ...
The Grande valse brillante in E-flat major, Op. 18, was composed by Frédéric Chopin in 1833 and published in 1834. Chopin dedicated it to his pupil, Laura Horsford. [1] This was his first published waltz composition for solo piano, although prior to 1834 he had written at least sixteen waltzes that were either destroyed or eventually published posthumously.
This waltz contains many virtuosic passages and a mesmerizing coda, making it a favourite with audiences. It is often considered one of Chopin's most important waltzes and is also one of the most challenging to play. [1] [3] [4]
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