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Title page of the novel Dingqing ren A page of the novel. Dingqing ren (Chinese: 定情人; 'A Lover's Promise'), [1] also translated into English as A Love-Promise [2] and The Worthy Lovers, [3] is a Chinese romantic novel of the caizi jiaren genre [4] from the mid-17th century.
Wu Jianren claimed that he dashed off his 1906 novel in ten days. It became one of the most famous novels of the period. Patrick Hanan explains that Sea of Regret was Wu’s response to Stones in the Sea, a novel published a few months earlier, under the pseudonym Fu Lin. Stones in the Sea is narrated by the hero of a tragic love affair to dramatize the conflict between the traditional Chinese ...
The Xingshi Yinyuan Zhuan (Chinese: 醒世姻緣傳; pinyin: Xǐngshì Yīnyuán Zhuàn; lit. 'The Story of a Marital Fate to Awaken the World'), also translated as Marriage Destinies to Awaken the World, The Bonds of Matrimony, A Marriage to Awaken the World and A Romance to Awaken the World, is a Chinese classic novel of the late Ming or early Qing dynasty.
Haoqiu zhuan (translated into English variously as The Fortunate Union or The Pleasing History), also known as Hau Kiou Chuaan, is a Chinese caizi jiaren ("scholar and beauty") novel published in the 17th-century. [1]
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To court her, he wrote 137 love letters in a year, exceeding 1 million Chinese characters. To guard her, he created 16 novels with more than 40 million words, working a wonder of internet literature. This is the love story that unfolded for 16 years already between Tang Jian Shao and his wife. ~ Novel Summary
The opening of the novel Jinxiang ting. Jinxiang ting (traditional Chinese: 錦香亭; simplified Chinese: 锦香亭) [1] or Jinxiang ting zhuan (traditional Chinese: 錦香亭傳; simplified Chinese: 锦香亭传), translated into English as Jinxiang Pavilion, [2] the Pavilion of Brocade and Aroma [3] and several other translated titles, [a] is a Chinese romantic novel of the caizi jiaren ...
Nanjing 1937: A Love Story (Chinese: 一九三七年的爱情; Yijiusanqi nian de aiqing) [2]: 115 is a 1996 romantic novel written by Ye Zhaoyan. [1] Originally published in Chinese by Jiangsu Art and Literature Press, it was translated into English by Matthew Berry and published by Columbia University Press in December 2002.