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Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.
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The festival centers on the danza, a musical genre native from the city of Ponce and oftentimes called "Puerto Rico's classical music" [7] with rhythm, tune, and cadence that are similar to the waltz. [8] The celebration lasts a week and takes place in mid-May. It is sponsored by the Ponce Municipal Government and the Institute of Puerto Rican ...
The plena genre originated in Barrio San Antón, Ponce, Puerto Rico, [3] [4] around 1900. [5] It was influenced by the bomba style of music. [citation needed] Originally, sung texts were not associated with the plena, which was rendered by guitar, accordion and pandero, but eventually, in 1907, [citation needed] singing was added.
Puerto Rico's dance and music has emerged from the ritualized celebrations of the island's indigenous people to a diverse range of blended genres adapted from all over the world. Before the arrival of European explorers, the Taíno Indians, who were the island's first inhabitants, used music and dance for traditional celebrations.
Danza is a musical genre that originated in Ponce, a city in southern Puerto Rico. [1] It is a popular turn-of-the-twentieth-century ballroom dance genre slightly similar to the waltz. [2] Both the danza and its cousin the contradanza are sequence dances, performed to a pattern, usually of squares, to music that was instrumental.
At a later time the guaracha was adopted in Puerto Rico and became part of the Puerto Rican musical tradition, such as the "Rosarios Cantaos", the Baquiné, the Christmas songs and the Children's songs. The guaracha is a style of song-dance which is also considered music for the Christmas "Parrandas" and concert popular music.