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Ambition is a character trait that describes people who are driven to better their station or to succeed at lofty goals. It has been categorized both as a virtue and as a vice. The use of the word "ambitious" in William Shakespeare 's Julius Caesar (1599), for example, points to its use to describe someone who is ruthless in seeking out ...
Macbeth is the title character of Macbeth who became king after defeating King Duncan; he is, however, portrayed as a usurper. Maecenas is a follower of Caesar in Antony and Cleopatra. For Marcus see (Marcus) Brutus, (Marcus Aurelius) Lepidus, and Mark, which is often interchangeable with Marcus. Malcolm is a son of Duncan that appears in the ...
The Tragedy of Macbeth, often shortened to Macbeth (/ m ə k ˈ b ɛ θ /), is a tragedy by William Shakespeare, estimated to have been first performed in 1606. [ a ] It dramatises the physically violent and damaging psychological effects of political ambitions and power.
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
After Macbeth slays the young Siward, Macduff charges into the main castle and confronts Macbeth. Although Macbeth believes that he cannot be killed by any man born of a woman, he soon learns that Macduff was "from his mother's womb / Untimely ripped" (Act V Scene 8 lines 2493/2494) — meaning that Macduff was born by caesarean section. The ...
Throne of Blood, a Japanese version filmed in 1958 by Akira Kurosawa, replaces the Three Witches with the Forest Spirit, an old hag who sits at her spinning wheel, symbolically entrapping Macbeth's equivalent, Washizu, in the web of his own ambition. She lives outside "The Castle of the Spider's Web", another reference to Macbeth's entanglement ...
The "thesis statement" comes from the concept of a thesis (θέσῐς, thésis) as it was articulated by Aristotle in Topica. Aristotle's definition of a thesis is "a conception which is contrary to accepted opinion." He also notes that this contrary view must come from an informed position; not every contrary view is a thesis. [3]
Hamlet is an outstanding example of "groundlings" quickness and response. [24] Use of groundlings enhanced Shakespeare's work practically and artistically. He represented English people more concretely and not as puppets. His skills have found expression in chronicles, or history plays, and tragedies.