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A djembe drum. African music relies heavily on fast-paced, upbeat rhythmic drum playing found all over the continent, though some styles, such as the Township music of South Africa do not make much use of the drum and nomadic groups such as the Maasai do not traditionally use drums. Elsewhere the drum is the sign of life: its beat is the ...
Sakara music is a form of popular Nigerian music based in the traditions of Yoruba music.It mostly in the form of praise songs, that uses only traditional Yoruba instruments such as the solemn-sounding goje violin, and the small round sakara drum, which is similar to a tambourine and is beaten with a stick. [1]
The Batá drum is a double-headed hourglass drum [1] with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba of western Nigeria.
The ethnomusicologist David Locke states: "Cross-rhythm pervades Ewe drumming."[2] In fact, the overall rhythmic structure is generated through cross-rhythm. [3]Cross-rhythm was first identified as the basis of sub-Saharan rhythm in the early writings of A.M. Jones, and was later explained in great detail in lectures by the Ewe master drummer and scholar C.K. Ladzekpo, and in the writings of ...
The men use goat skin to make the heads of these drums, or for the largest drum may use cow or antelope skin. [2] The fingers of one hand change the tone of the drum, while the drummer hits the face of the drum with a stick. When several sakara drums are played together, the iya ilu is the main voice, and dictates the pace and rhythmic style.
Some African drums can even imitate consonants by hitting the drum with a stick or hand at different angles and with different parts of the stick or hand. The Ewe also play a pair of two drums called atumpan (pronounced ah-toom-pahn), which are used all over Ghana as talking drums. The atumpan player stands up and plays the drum with two sticks ...
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The names of the drums are onomatopoeic, meaning that they sound like the thing they describe.This is common for West African instruments. Shekere (gourd rattle), sege sege (metal djembe rattle), kese kese (woven basket rattle), and kenken (a bell played with dunun) are Malinké onomatopoeic terms for other instruments that are commonly played together with dunun and djembe.