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Āina-kāri in the main hall of Emarat-e Badgir, Golestan Palace, Tehran, Iran. Āina-kāri [1] (Persian: آینهکاری) is a kind of Iranian interior decoration where artists assemble finely cut mirrors together in geometric, calligraphic or foliage forms (inspired by flowers and other plants). [2]
A reflected ceiling plan (RCP) shows a view of the room as if looking from above, through the ceiling, at a mirror installed one foot below the ceiling level, which shows the reflected image of the ceiling above. This convention maintains the same orientation of the floor and ceilings plans – looking down from above.
The ceiling combines with the mirrors and the light from the western windows to confer on the room its unique character. Nine large and numerous smaller paintings, most of them on canvas using marouflage and the rest directly painted on masonry, are dedicated to the idolization Louis XIV as the Sun King and to the successes of the first two ...
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Wallpaper is used in interior decoration to cover the interior walls of domestic and public buildings. It is usually sold in rolls and is applied onto a wall using wallpaper paste . Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with ...
A self-contained infinity mirror used as a wall decoration. In a classic self-contained infinity mirror, a set of light bulbs, LEDs, or other point-source lights are placed around the periphery of a fully reflective mirror, and a second, partially reflective "one-way mirror" is placed a short distance in front of it, in a parallel alignment.
A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
A view from the rear of Ossian's Hall. Garnett in 1800 visited the site. He describes the 'Hall of Mirrors' as having its sides and ceiling covered with mirrors, in which "the cascade is seen by reflection, sometimes running upwards, contrary to the direction of gravity, and sometimes in a horizontal stream over the head."
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