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spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile: danceable (song) to be danced to Battaglia: battle: An instrumental or vocal piece suggesting a battle Bergamasca ...
I. Allegro con brio [ edit ] The first movement follows the sonata allegro format of the classical period , and borrows thematically from Beethoven's Piano Quartet No. 3 in C major , [ 5 ] WoO 36, from a decade earlier.
The trios can be seen as a part of the preparation for the upcoming string quartets, which became the leading genre among his chamber music. The musicologist Gerald Abraham has remarked that in terms of their style and aesthetic value the string trios of Op. 9 rank with Beethoven's first string quartets which ousted the trios from the concert ...
Allegro con brio , 3 4; Andante cantabile con Variazioni (E-flat major), 2 4; Minuetto. Quasi allegro (C minor, with a trio in C major), 3 4; Finale. Prestissimo (C minor, concluding in C major), 2 2; Unlike the other piano trios in this opus, the third trio does not have a scherzo as its third movement but a minuet instead.
Violin Sonata No. 7: Scores at the International Music Score Library Project; Performance of Violin Sonata No. 7 by Corey Cerovsek (violin) and Paavali Jumppanen (piano) from the Isabella Stewart Gardner Museum in MP3 format; Violin Sonata No. 7 (Beethoven) at the Mutopia Project - this is for the Allegro con brio
Chamber music: 1: 1900: ... Allegro con spirito (B ... Allegro con brio; for orchestra: Chamber music: 119: 1916: 2 Old English Songs. Sally in Our Alley; Cherry Ripe;
Allegro non troppo ma con brio In sonata form. The first subject group is in F major, while the second is in A major, the first of the "pervasive mediant relationships" in this work. [1] Grave ed appassionato – Allegretto vivace – Tempo I – Presto – Tempo I In double variation form.