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spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile: danceable (song) to be danced to Battaglia: battle: An instrumental or vocal piece suggesting a battle Bergamasca ...
I. Allegro con brio [ edit ] The first movement follows the sonata allegro format of the classical period , and borrows thematically from Beethoven's Piano Quartet No. 3 in C major , [ 5 ] WoO 36, from a decade earlier.
The trios can be seen as a part of the preparation for the upcoming string quartets, which became the leading genre among his chamber music. The musicologist Gerald Abraham has remarked that in terms of their style and aesthetic value the string trios of Op. 9 rank with Beethoven's first string quartets which ousted the trios from the concert ...
Allegro con brio (A major) A typical performance lasts approximately 33–45 minutes depending on the choice of tempo, and whether the repeats in the 1st, 3rd, and 4th movements are omitted The work as a whole is known for its use of rhythmic devices suggestive of a dance, such as dotted rhythm and repeated rhythmic figures.
Con Moto: for violin and piano: Chamber music: 23: ... Allegro con spirito (B ... Allegro con brio; for orchestra: Chamber music: 119:
Schumann quoted some themes from Papillons in his later work, Carnaval, Op. 9, but none of them appear in section no. 9 of that work titled "Papillons".The main waltz theme from the first movement in Papillons was quoted in the section "Florestan", with an explicit acknowledgement written in the score, and again in the final section, "Marche des Davidsbündler contre les Philistins", but ...
Mysterious sotto voce strings open the final Allegro con spirito, again in sonata form. The full orchestra suddenly announces the arrival of the main theme, unveiling "...the blazing sunrise of the most athletic and ebulliently festive movement Brahms ever wrote". [6]