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All; all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the point marked tutti.
An offstage instrument or choir part in classical music is a sound effect used in orchestral and opera which is created by having one or more instrumentalists (trumpet players, also called an "offstage trumpet call", horn players, woodwind players, percussionists, other instrumentalists) from a symphony orchestra or opera orchestra play a note, melody, or rhythm from behind the stage, or ...
Some definitions refer to music as a score, or a composition: [18] [7] [19] music can be read as well as heard, and a piece of music written but never played is a piece of music notwithstanding. According to Edward E. Gordon the process of reading music , at least for trained musicians, involves a process, called "inner hearing" or "audiation ...
A musician's part usually does not contain instructions for the other players in the ensemble, only instructions for that individual. the music played by any group of musicians who all perform together for a given piece; in a symphony orchestra , a dozen or more cello players may all play "the same part" even if they each have their own ...
While piano-vocal scores tend to consist of the vocal lines and a piano reduction of the whole orchestra onto two staves, piano-conductor scores tend to consist of the vocal lines and one of the orchestral piano parts that already exists, coupled with another staff containing the rest of the orchestral reduction (in contrast to a piano-vocal score, where the piano and other orchestral parts ...
Also note that in this specific sense of the word, orchestration is not necessarily limited to an orchestra, as a composer may orchestrate this same C major chord for, say, a woodwind quintet, a string quartet or a concert band. Each different ensemble would enable the orchestrator/composer to create different tone "colours" and timbres.
Now NASA is stepping in to provide some insight into what could actually be causing this scary pattern. NASA scientists believe the ominous noises could potentially be the "background noise" of ...
In addition to the following instructions given by composers, performers choose how to articulate the events of a score independently, in accordance with their interpretation of it. Until the 17th century , it was rare to mark articulations in a score, and even during the Baroque period they were uncommon apart from ornaments, leaving them up ...