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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
There are multiple similarities between Rococo and Baroque. Both styles insist on monumental forms, and so use continuous spaces, double columns or pilasters, and luxurious materials (including gilded elements). There also noticeable differences.
Rococo, employed in ecclesiastical decoration, was part of the secularization movement that the Catholic Church had been experiencing since the Baroque, removing various obstacles between the sacred and the profane, and served as a new and more engaging way to celebrate the mysteries of faith, but its ornamentalism was also seen by some as a ...
Renaissance, Baroque, Rococo, and other post-medieval styles use putti (chubby baby angels) much more often compared to Greco-Roman art and architecture. An ornament reintroduced during the Renaissance, that was of Ancient Roman descent, that will also be used in later styles, is the cartouche , an oval or oblong design with a slightly convex ...
Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements.
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism , the Counter Reformation and Catholic Revival, [ 1 ] [ 2 ] but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread ...
The Rococo style is a late evolution of Baroque architecture, first apparent in French domestic architecture and design. It is distinguished by the asymmetry found within its decoration, generally taking the form of ornate sculptured cartouches or borders.
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.