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Written in B minor, it is one of the most famous opera arias.The vocal range extends from F ♯ 3 to A 4.The aria is considered part of the spinto tenor repertoire. [1]The aria is introduced by a somber clarinet solo.
K 1 K 6 Composition, score and critical report () Librettist Date 21: 19c "Va, dal furor portata" (Score/Crit. report) Aria for tenor and orchestra: Metastasio Ezio, II,4: 1765 36: 33i
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (/ˈɑriə/ Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part ...
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers separated by dialogue.
The da capo aria (Italian pronunciation: [da (k)ˈkaːpo ˈaːrja]) is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and oratorio.
"La Betulia liberata" by Florian Leopold Gassmann: abridgements in recitatives and arias, and additional choirs taken from other compositions of Gassmann's (1820) "Il Talismano": joint composition by Salieri (first act) and Giacomo Rust (second and third act) (1779)
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. [1] Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme.
"Va, dal furor portata", K. 21 / K 6 19c, is an early concert aria in C major for tenor and orchestra by Wolfgang Amadeus Mozart.It was written 1765 in London during the Mozart family grand tour around Europe when Mozart was nine years old.