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Apur Sansar (Bengali: অপুর সংসার), also known as The World of Apu, is a 1959 Indian Bengali-language drama film produced, written, and directed by Satyajit Ray. It is based on the second half of Bibhutibhushan Bandopadhyay 's novel Aparajito .
After Apur Sansar was harshly criticised by a Bengali critic, Ray wrote an article defending it—a rare event in Ray's filmmaking career (the other major instance involved the film Charulata, Ray's personal favourite). [14] His success had little influence on his personal life in the years to come.
Apur Sansar depicts Apu's adult life, his reaction to his wife's premature death, and his final bonding with his son whom he abandoned as an infant. Ray did not initially plan to make a trilogy: he decided to make the third film only after being asked about the possibility of a trilogy at the 1957 Venice Film Festival , [ 34 ] where Aparajito ...
Pather Panchali was followed by two films that continued the tale of Apu's life—Aparajito (The Unvanquished) in 1956 and Apur Sansar (The World of Apu) in 1959. Together, the three films constitute the Apu trilogy. Aparajito portrays the adolescent Apu, his education in a rural school and a Calcutta college. Its central theme is the poignant ...
Starting with his debut film, Apur Sansar (The World of Apu, 1959), the third part of The Apu Trilogy, as adult Apu, he went on to work in several films with Ray, including Abhijan (The Expedition, 1962), Charulata (1964), Kapurush (1965), Aranyer Din Ratri (Days and Nights in the Forest, 1969), Ashani Sanket (Distant Thunder, 1973), Sonar ...
Created Date: 8/30/2012 4:52:52 PM
Gregory Nava's 1995 film My Family had a final scene that was reminiscent of Apur Sansar. Ira Sachs's 2005 work Forty Shades of Blue was a loose remake of Charulata. Other references to Ray's films are found, for example, in 2006's Sacred Evil, [169] and the Elements trilogy by Deepa Mehta. [170]
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