Search results
Results from the WOW.Com Content Network
The most common clave pattern used in Cuban popular music is called the son clave, named after the Cuban musical genre of the same name. Clave is the basic period, composed of two rhythmically opposed cells, one antecedent and the other consequent. [d] [e] Clave was initially written in two measures of 2 4 in Cuban music. [31]
Tresillo is a Spanish word meaning "triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, [further explanation needed] tresillo refers to a subdivision of the beat that does not normally occur within the given structure.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Blues shuffle or boogie played on guitar in E major [1] (Play ⓘ). Boogie is a repetitive, swung note or shuffle rhythm, [2] "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The ...
Shuffle play is a mode of music playback in which songs are played in a randomized order that is decided upon for all tracks at once. [1] It is commonly found on CD players, digital audio players and media player software. Shuffle playback prevents repeated tracks, which makes it distinct from random playback, in which the next track is chosen ...
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
3.2 construction of standard compound-meter bell-pattern. The four notes at the bottom are the primary beats. The upper parts show; a) two cells of 3:2, beginning on beats 1 and 3 (Play ⓘ); b) the same, beginning on beats 2 and 4 (Play ⓘ); c) one cell of a) and one of b) giving d) the standard bell pattern notation (Play ⓘ)