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The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
Charles Jay Connick (1875–1945) was a prominent American painter, muralist, and designer best known for his work in stained glass in the Gothic Revival style. [2] Born in Springboro, Pennsylvania, Connick eventually settled in the Boston area where he opened his studio in 1913.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
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The most well-preserved set of medieval stained glass windows however, is that of Lye Church; it is the most well-preserved set of medieval stained glass in the Nordic countries. [ 40 ] [ 41 ] [ 42 ] The style of these windows may have been influenced by English or northern German (possibly Lübeck ) contemporary art.
Ireland became an internationally renowned center of stained-glass art at this time, to a large extent as a result of An Túr Gloine. [7] The studio was run by Purser until 1940, and she was succeeded by Catherine O'Brien who ran it until 1944. [1] After which time O'Brien bought the studio and leased a large section of it to Patrick Pollen. [8]
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