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The wax encaustic painting technique was described by the Roman scholar Pliny the Elder in his Natural History from the 1st Century AD. [5] The oldest surviving encaustic panel paintings are the Romano-Egyptian Fayum mummy portraits from Egypt , around 100–300 AD, [ 6 ] but it was a very common technique in ancient Greek and Roman painting.
Renaissance Wax is a brand of microcrystalline wax polish used in antique restoration and museum conservation around the world. Commonly used to polish and conserve metal objects, it is also used on gemstones and such organic materials as wood, ivory, and tortoiseshell. The product is sometimes used by reenactors to protect armor and weapons.
Wood finishing is one of the most traditional and still popular uses of shellac mixed with solvents or alcohol. This dissolved shellac liquid, applied to a piece of wood, is an evaporative finish: the alcohol of the shellac mixture evaporates, leaving behind a protective film. [39] Shellac as wood finish is natural and non-toxic in its pure form.
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Wood finishing starts with sanding either by hand, typically using a sanding block or power sander, scraping, or planing. Imperfections or nail holes on the surface may be filled using wood putty or pores may be filled using wood filler. Often, the wood's color is changed by staining, bleaching, or any of a number of other techniques.
Carving wax is a smooth, non-brittle wax designed for carving and/or machining. Although the formulas for most commercial waxes are proprietary, most suppliers will state that hard waxes are some blend of waxes and plastics. This family of waxes has a hardness and consistency of plastic or softer wood. They can be cut or carved with knives ...
Wax play is a form of temperature play practiced in a BDSM context, in which wax from a candle is dripped onto a person's naked skin, in order to introduce a slight burning sensation to the skin. Man dripping wax on a submissive woman at Eros Pyramide, 2009
The wax model of a head, at the Wicar Museum at Lille, belongs probably to the school of Canova. [15] Wax flower and fruit sculptures were popular in the 1840s and 1850s in Britain, with noted sculptors including the London-based Emma Peachey and the Mintorn family. There was a section for this work at the Great Exhibition of 1851. [16]