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Vaticinium ex eventu (Classical Latin: [wäːt̪ɪˈkɪnɪ.ʊ̃ˑ ɛks eːˈwɛn̪t̪uː], "prophecy from the event") or post eventum ("after the event") is a technical theological or historiographical term referring to a prophecy written after the author already had information about the events being "foretold".
Prophecy of Merlin (Prophetia Merlini), sometimes called The Prophecy of Ambrosius Merlin concerning the Seven Kings, is a 12th-century poem written in Latin hexameters by John of Cornwall, which he claimed was based or revived from a lost manuscript in the Cornish language.
Final part of the prophecies in Lignum Vitæ (1595), p. 311. The Prophecy of the Popes (Latin: Prophetia Sancti Malachiae Archiepiscopi, de Summis Pontificibus, "Prophecy of Saint-Archbishop Malachy, concerning the Supreme Pontiffs") is a series of 112 short, cryptic phrases in Latin which purport to predict the Catholic popes (along with a few antipopes), beginning with Celestine II.
It was still read in Latin, but was displaced for readers in French, and then English, by other political prophecy. [8] This work not only launched Merlin as a character of Arthurian legend: it also created a distinctively English style of political prophecy, called Galfridian, in which animals represent particular political figures. [9]
16th century woodcut of a soothsayer delivering a prophecy to a king, deriving it from stars, fishes, and noises from the mountains. In religion, mythology, and fiction, a prophecy is a message that has been communicated to a person (typically called a prophet) by a supernatural entity.
15th-century watercolor illustration in Vaticinia de Summis Pontificibus. A series of manuscript prophecies concerning the Papacy, under the title of Vaticinia de Summis Pontificibus, a Latin text which assembles portraits of popes and prophecies related to them, [1] circulated from the late thirteenth-early fourteenth century, with prophecies concerning popes from Pope Nicholas III onwards.
Eclogue 4, also known as the Fourth Eclogue, is a Latin poem by the Roman poet Virgil. The poem is dated to 40 BC by its mention of the consulship of Virgil's patron Gaius Asinius Pollio . The work predicts the birth of a boy, a supposed savior, who—once he is of age—will become divine and eventually rule over the world.
During the Middle Ages, scholars coined terms for many of these methods—some of which had hitherto been unnamed—in Medieval Latin, very often utilizing the suffix-mantia when the art seemed more mystical (ultimately from Ancient Greek μαντεία, manteía, 'prophecy' or 'the power to prophesy') and the suffix -scopia when the art seemed ...