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3: The artist's mother seated at a table, looking right: three-quarter length: About 1631 B101: 3: St. Jerome praying: arched print: 1632 B121: 3: The rat-poison peddler [The rat catcher] 1632 B152: 1: The Persian: 1632 B073: 10: The raising of Lazarus: the larger plate: About 1632 B062: 1: The holy family: About 1632 B117: 2: A cavalry fight ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. Auction listing for erotic Rembrandt ...
The monochromatic painting, which measures 9.6 x 7.3 inches (24.5 x 18.5 centimeters), was purchased by an anonymous buyer for €860,000 ($908,000) at the Christie’s sale.
19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W23 : Three Scribes: c. 1628-1629: Pen, brush: 22.6 x 17.6 cm: Rijksmuseum Amsterdam
A painting valued at $15,000 just two years ago has fetched more than 900 times as much after being identified as the work of Dutch master Rembrandt. A painting valued at $15,000 turned out to be ...
Knee-length Figure of a Man in an Oriental Dress (‘The Noble Slav’) ... 114 x 97.3: Private collection: 191a: Rembrandt and workshop. Companion piece to 191b ...
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