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Published by The Ukrainian Museum on the occasion of the exhibition Jacques Hnizdovsky 1915-1985: Retrospective Exhibition, organized by The Ukrainian Museum, New York. Profusely illustrated bilingual exhibition catalogue containing 23 pages of biographical text, showing examples of paintings, woodcuts, linocuts, etchings and ceramics by the ...
This image is available from the New York Public Library's Digital Library under the digital ID 6f3f8e00-c5f1-012f-7256-58d385a7bc34: digitalgallery.nypl.org → digitalcollections.nypl.org This tag does not indicate the copyright status of the attached work.
Previous location of White Columns, at 320 West 13th Street, New York City. White Columns is New York City's oldest alternative non-profit art space. [1] White Columns is known as a showcase for up-and-coming artists, and is primarily devoted to emerging artists who are not affiliated with galleries. All work submitted is looked at by the director.
The MoCCA Festival (or MoCCA Fest) is an annual fundraiser for the museum (and now for the Society of Illustrators).It is New York's largest independent comics showcase, [citation needed] featuring hundreds of creators and publishers on the main floor, typically accompanied with additional rooms devoted to educational panel discussions, slide shows, and interviews.
Claude Coats was raised in Los Angeles and graduated from Polytechnic High School. On an athletic scholarship, Coats attended University of Southern California as an architecture student, but later received his bachelor's degree in drawing in 1934. He later attended Chouinard Art Institute and studied watercolor painting with Paul Sample.
The gallery was an early member of the Art Dealers Association of America [16] and participated regularly in major art fairs, including the Winter Antiques Show, [17] the ADAA Art Show, [18] and the IFPDA Print Fair [19] (all in New York) and Art Basel [20] (in Basel, Switzerland).
The Collins & Milazzo exhibitions were a series of art exhibitions curated by the team Tricia Collins and Richard Milazzo, mainly in New York in the mid-1980s to early 1990s. [ 1 ] [ 2 ] From 1982 to 1984 the pair founded, edited and published Effects : Magazine for New Art Theory .
The Wildenstein Gallery, which became Wildenstein & Company, was founded in Paris during the 1870s by the Alsatian Jewish entrepreneur Nathan Wildenstein, bringing together 18th and 19th century French paintings, sculptures, and drawings, and older works by Italian, Dutch, Flemish, and Spanish masters. [2]
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