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Joseph Haydn's Piano Trio No. 41 in E-flat minor, Hob. XV/31, was written in 1795/1796, though not published until 1803 in Vienna. It has the nickname "Jacob's Dream" because of its second movement. On publication it was dedicated to Magdalena von Kurzböck (1767–1845), a Viennese pianist and composer. [1]
However, the Phrygian mode features a minor third and the "I" chord may be taken for a borrowed chord, i.e., a Picardy third.) When the VI chord, which may be added between III and ♭ II (iv–III–VI– ♭ II–I) and cadenced upon, is the most characteristic contrasting tonal area, similar by analogy to the relative major of a minor key. [12]
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
The Notturno is in extended ternary form (ABABA). The first episode is in the 'Neapolitan' key, the flattened supertonic major (theoretically F flat, but written as E major). The main melodic idea of the episode is a three-note, dotted figure, which has an almost martial, march-like quality, despite the continued slowness of the music's ...
Despite forays into twelve-tone technique, and its chromaticism and dissonance, the sonata is based on a key center, that of E-flat minor. [22] Some of the twelve-tone melodic patterns resemble examples from Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns, a book that was reportedly on Barber's piano while he was composing the sonata.
The Sonata in E-flat major (Hob. XVI/38, L. 51) is a keyboard sonata composed by Joseph Haydn, also referred to as a piano sonata. The three-movement work was published by Artaria in 1780 in a set of six sonatas dedicated to the sisters Katharina and Marianna Auenbrugger. [1] The sonata has three movements: Allegro moderato (E-flat major ...
The Piano Sonata in E-flat major, Hob. XVI/52, L. 62, was written in 1794 by Joseph Haydn.It is the last of Haydn's piano sonatas, and is widely considered his greatest. It has been the subject of extensive analysis by distinguished musicological personages such as Heinrich Schenker and Sir Donald Tovey, largely because of its expansive length, unusual harmonies and interesting development. [1]
The second movement is marked Adagio and written in the key of E major. It is in rondo form, A–B–A–C–A–coda, written in the style of a string quartet, as there are four clear voices. The middle section, in E minor, contains numerous examples of Romanticism, and is considered a prelude to the master's later sonatas. Later in the ...
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