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The poem begins with Tithonus speaking to Eos "at the quiet limit of the world" (line 7) where he lives with her. Confronted with old age and its attendant pains, he meditates upon death and mortality, and mourns the fact that death cannot release him from his misery.
The poem explicates Patton's theory that "one is reincarnated…with certain traits and tendencies invariable." [4] In it, Patton includes three constants in his conception of reincarnation: he is always reborn as a male; he is always reborn as a fighter; and he retains some awareness of previous lives and incarnations. [4]
Muir considers that this makes the poem "among the worst he [Burns] wrote". [7] McGuirk argues that the poem is representative of Burns's inability in his early poems to conceive of an end other than death to the struggles and injustices of life. [8] Burns initially wrote the poem in response to pervasive "economic and social injustices" in ...
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...
"The Collar" is a poem by Welsh poet George Herbert published in 1633, and is a part of a collection of poems within Herbert's book The Temple. [1] The poem depicts a man who is experiencing a loss of faith and feelings of anger over the commitment he has made to God.
[5] In 1933, in a notebook marked 'April', Thomas wrote the poem "And death shall have no dominion". Trick persuaded him to seek a publisher and in May of that year it was printed in New English Weekly. [5] On 10 September 1936, two years after the release of his first volume of poetry , Twenty-five Poems was published. It revealed Thomas's ...
The poem is a detailed description of several objects, including a photo album and the camera that took the pictures in it, and is essentially about the nostalgia that the speaker, presumably Gibson himself, feels towards the details of his family's history: the painstaking descriptions of the houses they lived in, the cars they drove, and even ...
It describes the poet's musings on death over a series of nine "nights" in which he ponders the loss of his wife and friends, and laments human frailties. The best-known line in the poem (at the end of "Night I") is the adage "procrastination is the thief of time", which is part of a passage in which the poet discusses how quickly life and ...