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Ska guitar pattern [4] Play ⓘ. The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. [5] It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and ...
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
Boogie is a repetitive, swung note or shuffle rhythm, [ 2 ] "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916. [citation needed]
Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. [1] They represent the best known and most interpreted blues songs that are seen as standing the test of time. [2] Blues standards come from different eras and styles, such as ragtime - vaudeville, Delta and other ...
It is characterized by simple but effective guitar work and is influenced by the boogie patterns used on Jimmy Reed records and the work of Lightnin' Hopkins and Muddy Waters. [4] The sound of swamp blues was characterized by "eerie echo, shuffle beats, tremolo guitars, searing harmonica and sparse percussion". [5]
Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is recognized as a ...
"Baby What You Want Me to Do" is a mid-tempo blues shuffle in the key of E [1] that features "Reed's unique, lazy loping style of vocals, guitar and harmonica." [2] In a 1959 review by Billboard magazine, it was called "uninhibited and swampy ... deliver[ed] freely in classic, gutbucket fashion."
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