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Traditionally, a linen-press (or just press) is a cabinet, usually of woods such as oak, walnut, or mahogany, and designed for storing sheets, table-napkins, clothing, and other textiles. Such linen-presses were made chiefly in the 17th, 18th, and 19th centuries and are now considered decorative examples of antique furniture. [ 1 ]
Linen-press or linen closet: A tall, narrow closet. Typically located in or near bathrooms and/or bedrooms, such a closet contains shelves used to hold items such as toiletries and linens, including towels, washcloths, or sheets. Pantry: A closet or cabinet in a kitchen used for storing food, dishes, linens, and provisions. The closet may have ...
A second edition was published in 1788, and a third in 1794. [1] The book continued to be reprinted several times over the centuries. One of the most common editions was made in elephant folio size by the Towse publishing company of New York, in 1942. There is also a Dover Books facsimile edition. At 28cm high the Dover edition is nearly half ...
In another version, the airing cupboard serves as a temporary drying space, either for laundry or for wet outdoor clothes and shoes. Its shelves can be used to fully remove traces of damp from dried clothing before the items are put away elsewhere in drawers and wardrobes. A moveable electrical version of this is a drying cabinet.
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A hope chest, also called dowry chest, cedar chest, trousseau chest, or glory box, is a piece of furniture once commonly used by unmarried young women to collect items, such as clothing and household linen, in anticipation of married life.
A close-up of the texture of hand-woven linen fabric made in the early 20th century in the Balkans. An illustration of how to darn linen, from the Encyclopedia of Needlework (1884) by Thérèse de Dillmont. A French armoire with home linens arranged in a traditional manner, with embroidered dust covers over the shelves.
Author Tao Lin described Kmart realism as being "at its “height” maybe in the mid to late-80’s. Frederick Barthelme had 20-30 stories published in the New Yorker, Mary Robison also had many stories in the New Yorker, and Gordon Lish was publishing other people’s books and stories as an editor at Alfred A. Knopf and Esquire around then." [8]