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"Winter Wonderland" is a song written in 1934 by Felix Bernard and lyricist Richard Bernhard Smith. Due to its seasonal theme, it is often regarded as a Christmas song in the Northern Hemisphere. Since its original recording by Richard Himber, it has been covered by over 200 different artists. Its lyrics are about a couple's romance during ...
It also topped the Jazz Albums and Traditional Jazz Albums charts. Bennett beat his own record—previously achieved in 2011 with Duets II —as the oldest living act to earn a number one album in the US, [ 92 ] giving him the Guinness World Records for "oldest person to reach No.1 on the US Album Chart with a newly recorded album", at the age ...
Free jazz musicians make use of free improvisation to alter, extend, or break down jazz convention, often by discarding fixed chord changes, tempos, melodies, or phrases. Ornette Coleman was an early and noted advocate of this style. 1950s -> Gypsy jazz: A style of jazz music often said to have been started by guitarist Jean "Django" Reinhardt ...
Jazz to the World "Winter Wonderland" – Herb Alpert/Jeff Lorber "Baby, It's Cold Outside" – Lou Rawls/Dianne Reeves "It Came Upon the Midnight Clear" – Fourplay "Have Yourself a Merry Little Christmas" – Diana Krall "O Tannenbaum" – Stanley Clarke/George Duke/Everette Harp "Let It Snow" – Michael Franks/Carla Bley/Steve Swallow
His "sweet" jazz style frequently incorporated lilting arrangements, much to the dismay of "serious" jazz devotees who favored "hot" jazz. [ 10 ] [ 81 ] [ 14 ] Ironically, even the executives at Columbia Records were inclined to reject a sample recording submitted by Lombardo's band in 1927 on the grounds that it lacked the fast staccato tempo ...
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Jingle Bell Jazz (re-issued as Christmas Jazz) is a collection of jazz versions of Christmas songs recorded between 1959 and 1962 by some of the most popular artists on the Columbia label. It was released on October 17, 1962.
In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there is a G chord, the chord-playing performer usually voices this chord as G 7 .