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v. t. e. Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c.1488/90[ 1 ] – 27 August 1576), [ 2 ] Latinized as Titianus, hence known in English as Titian (/ ˈtɪʃən / ⓘ TISH-ən), was an Italian Renaissance painter, [ a ] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [ 4 ]
The painting was made by Titian for the Sala dei Baccanali in the Camerini d'alabastro for Alfonso I d'Este, after The Worship of Venus (1518–1519) and Bacchus and Ariadne (1520–1523) and Titian's intervention on The Feast of the Gods by Bellini in 1524–1525 where he retouched the landscape to match the style of the other paintings.
The pastoral concert or Fête Champêtre genre is described as a gathering in a picturesque landscape. Usually, young men are gathered together in a creative pursuit, seated on the landscape's grass. The paintings themselves are almost always allegories or depictions of mythological characters. [2] This is the 16th-century genre; in the French ...
Latin pop is a catch-all for any pop music sung in Spanish, while Mexican/Mexican-American (also to referred to as Regional Mexican) is defined as any musical style originating from Mexico or influences by its immigrants in the United States including Tejano, and tropical music is any music from the Spanish Caribbean.
Gemäldegalerie Berlin, organist, dog and Cupid, 115 x 210 cm. Venus and Musician refers to a series of paintings by the Venetian Renaissance painter Titian and his workshop. Titian's workshop produced many versions of Venus and Musician, which may be known by various other titles specifying the elements, such as Venus with an Organist, Venus ...
Dimensions. 410 cm × 240 cm (160 in × 94 in) Location. Church of San Salvador, Venice. The Annunciation is a painting by the Italian Renaissance master Titian, executed between 1559 and 1564. It remains in the church of San Salvador in Venice, for which it was commissioned. Originally three paintings were commissioned by the D'Anna family for ...
The Assumption of the Virgin or Frari Assumption, popularly known as the Assunta, [1] is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–1518. It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice.
Bacchus and Ariadne (1522–1523) [1] is an oil painting by Titian. It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts. An advance payment was given to Raphael, who ...