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The Baroque saw the formalization of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this type of harmony has continued to be used extensively in Western classical and popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both ...
It is most commonly associated with Baroque music. Competent performers of the era were expected to realize a stylistically appropriate accompaniment from a mere harmonic sketch, called a figured bass, and to do it at sight. A system that allowed much flexibility, it became a lost art, but was revived in the 20th century by scholar-performers.
Henry Purcell (1659–95), whose early career was devoted to secular music and later by sacred music. With the Restoration of the monarchy in 1660, Charles II made the court once more the centre of musical patronage in Britain, the theatres were reopened and, after the introduction of a new Book of Common Prayer in 1662, choral music began to be developed again. [2]
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music.Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the ...
This is a list of artists who have been described as general purveyors of baroque pop, a genre identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. [1]
The siciliana [sitʃiˈljaːna] or siciliano (also known as sicilienne or ciciliano) is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow 6 8 or 12 8 time with lilting rhythms, making it somewhat resemble a slow jig or tarantella, and is usually in a minor key.
Third, the styles themselves overlap and absolute categorization is not possible in all cases. For example, a "late Renaissance" piece would likely be very similar to an "early Baroque" piece. [2] Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides.
The theorbo's solo Baroque repertoire came almost exclusively from Italy and France, with the exception of some English music written for the English theorbo, until the 21st century. The most effective and idiomatic music for the theorbo takes advantage of its two unique qualities: the diapasons and the reentrant tuning.