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Chinese Girl (often popularly known as The Green Lady) is a 1952 painting by Vladimir Tretchikoff. Mass-produced prints of the work in subsequent years were among the best-selling of the twentieth century. [ 1 ]
The Red Flower [210] (Portrait of Miss H.) [11] Oil on canvas 1890 Private collection exterior, full-length, a young girl in a white dress holding a flower Portrait of Little Miss S. (Stevens) Oil on canvas Vision of St. Angela d'Angant: Oil on canvas 1890 Manufactures Building: Iron Working Textile Art Design [18] Murals Destroyed in the July ...
Vladimir Grigoryevich Tretchikoff (Владимир Григорьевич Третчиков, 26 December [O.S. 13 December] 1913, Petropavlovsk, Russian Empire, now Petropavl in Kazakhstan [1] – 26 August 2006, Cape Town, South Africa) was an artist whose painting Chinese Girl, popularly known as The Green Lady, is one of the best-selling art prints of the twentieth century.
They are commonly depicted in bird-and-flower paintings, a broad category of classical Chinese art, and they are particularly popular subjects for ink wash painting. The Four Gentlemen are a recurring theme in art because of their long history as symbols of traditional Chinese virtues , such as uprightness, purity, humility, and perseverance ...
Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta, Georgia. The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [1] which she painted from the mid-1920s through the 1950s. [2] She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. [3]
She painted an extreme close-up of the canna lily entitled Inside the Red Canna in 1919. [11] It is a depiction of the large petals of the exterior of the flower, with focus on the interior through the use of contrasting shades of colors. The painting was made with red, orange, brown, and pink paint. [12]
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A series of her paintings depict young, school-aged Chinese girls, usually skimpily dressed in the bath or lying in bed. The girls in her paintings almost always look directly at the viewers, some innocent-looking, some with a confrontational gaze. [8] Another series of her works involves photographs of her pregnant body.
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