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Generative literature is poetry or fiction that is automatically generated, often using computers. It is a genre of electronic literature , and also related to generative art . John Clark 's Latin Verse Machine (1830–1843) is probably the first example of mechanised generative literature, [ 1 ] [ 2 ] while Christopher Strachey 's love letter ...
Storyland is a browser-based narrative work of electronic literature.The project is included in the first Electronic Literature Collection. [1] It was created by Nanette Wylde in 2000 and is considered a form of Combinatory Narrative or Generative Poetry which is created with the use of the computer's random function.
Although this appears to be the first work of computer-generated literature, the structure is similar to the nineteenth-century parlour game Consequences, and the early twentieth-century surrealist game exquisite corpse. The Mad Libs books were conceived around the same time as Strachey wrote the love letter generator. [3]
SurVision is an international English-language surrealist poetry project, comprising an online magazine and a book-publishing outlet. SurVision magazine, founded in March 2017 by poet Anatoly Kudryavitsky, was a platform for surrealist poetry from Ireland and the world. SurVision Books, the book imprint, started up the following year.
Valentine Penrose (1898–1978) - French surrealist poet, author, and collagist; Benjamin Péret (1899–1959) - French poet and a founder of the French Surrealist movement; Gisèle Prassinos (1920–2015) - French writer; Franklin Rosemont (1943–2009) - American poet, artist, historian, street speaker, and co-founder of the Chicago ...
Since lockdown, everyone has had to rely heavily on digital technologies: be it Zoom work meetings and lengthy email chains, gaming and streaming services for entertainment, or social media ...
The poem is composed by one or more persons, working together in a process as follows. The first "stanza" of the poem is written on the left-hand column of a piece of paper divided into two columns. Then the "opposite", or 'echo', of the first stanza, in whatever sense is appropriate to the poem, is composed in the right-hand column of the page.
Rahon's first career was as a poet. In 1935, she became part of the Surrealist movement in Europe, meeting artists such as Paul Eluard and Max Ernst through her husband. [3] [22] In France, she published 'A meme la terre' with a print by Yves Tanguy, and in 1938 Sablier Couche, illustrated by Joan Miró.