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A "register" of the human voice, such as whistle register, is a series of tones of like quality originating through operation of the larynx.The constituent tones result from similar patterns of vibration in the vocal folds, which can generate several different such patterns, each resulting in characteristic sounds within a particular range of pitches. [1]
A vocal register is a range of tones in the human voice produced by a particular vibratory pattern of the vocal folds. These registers include modal voice (or normal voice), vocal fry, falsetto, and the whistle register. [1] [2] [3] Registers originate in laryngeal function. They occur because the vocal folds are capable of producing several ...
There is no authoritative system of voice classification in non-classical music [1] as classical terms are used to describe not merely various vocal ranges, but specific vocal timbres unique to each range. These timbres are produced by classical training techniques with which most popular singers are not intimately familiar, and which even ...
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (), such as breaks and lifts within the voice.
Vocal range is the range of pitches that a human voice can phonate.A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. [1]
Belting is sometimes described as "high chest voice" or "mixed voice" (not to be confused with the mixing technique), although if this is done incorrectly, it can potentially be damaging for the voice. It is often described as a vocal register, although this is also technically incorrect; it is rather a descriptive term for the use of a register.
Voice exchange is also used in Schenkerian analysis to refer to a pitch class exchange involving two voices across registers, one of which is usually the bass. In this sense, it is a common secondary structural feature found in the music of a wide variety of composers. [12]
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...