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It had a domestic box-office gross over €1.68 million in its opening weekend, good for the 2nd largest debut for a Spanish film in 2023, but trailing well below the figures of its predecessors. [10] The film generated an online bashing by users taking chance to convey an "anti-Woke" and racist message, elliding the questioning of the film on ...
A large part of the production takes place in the Baires Studios of Don Torcuato, for each episode filmed, 150 people were needed. [10] The character of María Eugenia Suárez is based on the life of Rokhl Lea Liberman (better known as Raquel Liberman), a Polish woman born in the 20th century, [ 11 ] who, like the character, suffered from abuse ...
Betty, la fea: la historia continúa (English: Betty, la fea: The Story Continues) [1] is a Colombian television series produced by RCN Televisión for Amazon Prime Video.The series is a sequel of Yo soy Betty, la fea, the second sequel from that series after Ecomoda.
The casting for the role of María began in June 2015 and participated actresses as Thelma Madrigal, [10] Adriana Louvier, [11] Claudia Álvarez, [12] Danna García [13] and Ariadne Díaz, the latter rejected the role because she had other plans. [14]
La viuda negra (The Black Widow) is a 2014 Spanish-language telenovela produced by RTI Producciones and Televisa for United States–based television network Univisión and for Colombia-based television network Caracol Television.
The screenplay was penned by Víctor Iriarte, Isa Campo, and Andrea Queralt. [6] The film was known in early development stages under the provisional title Reescritura. [7] A Spanish-Portuguese-French venture, the film was produced by Atekaleun, CSC Films and La Termita Films alongside Ukbar Filmes and 4A4 Productions, and it had the participation of TVE and TVC and backing from ICAA, the ...
Acacia (Ariadne Díaz) loses her father Alonso (Marcelo Córdoba) in an accident while he was riding a horse.Cristina (Victoria Ruffo), her mother and his wife, suddenly being widowed, learns that her husband had mortgaged the hacienda in order to cover the expenses of the sowings and livestock, not finding a solution to this, she decides to sell the hacienda and leave to live with her parents ...
A beautiful and intelligent young woman named Rosario (Itahisa Machado) falls in love with her boss, Alejandro (), a prominent lawyer twenty-one years older than she.. Rosario does not know that Alejandro is the same man whose mother, Magdalena (Natalia Ramírez), was engaged to marry twenty-one years ago; Magdalena has kept her romance with Alejandro in s